A few years ago, before I was Jenni20 Designs, I was out of grad school, teaching at a few local colleges, and generally having the time of my life when my mom called and said something like: “hey, do you want to go on a quilt tour?”
Ummmm. A quilt tour? I pictured going around in a bus to Amish country Pennsylvania being careful to avoid taking pictures of actual Amish people while trying to take pictures of their quilts (which I have since done, by the way, sans bus, and it was awesome, but at the time it didn’t sound that exciting). I wasn't sold.
Then she said three magic words: “
it’s in Provence.”
SIGN ME UP!
I knew I’d be the youngest one there. I didn’t care. I love traveling with my mom; I knew no matter the other folks who'd be joining the tour, my mom and I would have a great time.
Then the other shoe dropped: "you’ll need to make a quilt for a quilt exchange with the French guild we’ll be having lunch with one day."
By that time, I was an accomplished fabric collector, but I was
not a quilter. Too much math, not enough fun. But hey, if it got me to the south of France for a few weeks, who was I to complain?
So I dug out my favorite fabrics, asked my mom what the easiest non-pattern quilt I could make (you see, I have this thing with patterns. And a long-held belief that patterns are just suggestions.) The answer was half-square triangles.
Half-square triangles—sounds kind of mathmatical but once described to me I knew they'd be perfect because I had this lovely Amy Butler fabric that I wanted to showcase.
I finished the quilt, sewed the binding on the evening I got to Chicago for our stopover before heading to France the next day, and voila. Here I had a modern mishmash of a quilt I named “My Grandmother’s Garden” because it was bright and floral and colorful (to celebrate, you guessed it, my grandmother's amazing flower garden) but also kind of traditional and old fashioned. Man, I loooooooved it.
(See that border and binding? Yellow fairy frost. Yeah, I’m cool.)
I was so proud of my first quilt, I even announced that it was my first quilt on the label—which has my address and email on it per the instructions for the exchange (carefully disguised here with the pink moustache).
Our trip was awesome; vive la France!
Then it’s the day of the exchange.
In this awesome cave in the middle of a medieval part of a small town in France, we draw numbers—or whatever, I can’t remember—and I’m so happy to announce (in French, by the way) that this is
my first quilt. I was beaming with beginner’s pride that mine was fresh and modern and cool (yay, young American quilters!) and not brown
prairie points and
flying geese.
Then I heard the woman whose name was drawn as my match mutter something that sounded a bit like: “I really don’t want this. Helene (or whatever her friend’s name was) do you want this?” To which Helene responded: “
Non.”
I was heartbroken. It took all of my actorly training not to start crying upon hearing this conversation. (Had I heard it in French? English? I can’t even remember.) All I know is my mom was sad/mad, I wanted to pack up my toys and leave, and then, the sweetest woman in the world came in and proclaimed that she would love to have it.
In all the years since then I like to play revisionist history and imagine her saying how
fabulous and
forward the quilt is and how much she’d love to have it in her home to start
great conversations about the great things this young American woman was doing with textiles.
 |
| mon ange |
 |
| mon ange et moi |
But I’m sure she was just a woman who knew when another woman’s ego was destroyed and was trying to help. Let’s face it, my randomly placed, half-square triangles aren’t exactly groundbreaking.
(But I loooooooved it!)
And yeah, that's my kick-a** landscape quilt of Provence I received in the exchange.
xxoo
jenni